3 Models Available
A brand video team builds a wide → close-up → reverse sequence where the spokesperson is the same person on shot one and shot eight. Lighting holds, location holds, character holds. Drop a reference portrait into the canvas, fan out 5-8 shot prompts to Sora 2 Pro Storyboard, Kling 3 multi-shot, or Seedance 2 nodes, then chain the timeline straight into NLE export. Pick a model below to walk through the multi-cut sequence your editor will not have to re-time once it lands in Premiere or Resolve.
OpenAI
Sora 2 Pro Storyboard is the OpenAI variant built specifically for multi-shot sequences in a single generation. You define per-scene prompts, timing, and transitions, and Sora returns a complete multi-cut sequence with character continuity, location consistency, and camera-work that reads as one coherent piece. For a brand video team building a wide → medium → close-up → reverse run where the spokesperson has to be the same person every cut, Storyboard mode skips the multi-render assembly step.
Kling
Kling 3.0 native multi-shot sequencing renders up to 15 seconds containing several distinct cuts while preserving spatial continuity between camera angles — and at native 4K with 16-bit HDR. For a brand video team that needs the spokesperson location, lighting, and identity to hold across a wide-medium-close-up run, Kling renders the whole sequence in one detailed pass. Pair that with Omni Native Audio (lip-sync dialogue + ambience in the same generation, English/Chinese/Japanese/Korean/Spanish), and the multi-shot block ships with its own soundtrack baked in.
ByteDance
Seedance 2.0 native multi-shot composition packages 4-15 second multi-cut sequences in a single audio-video joint generation pass — accepting up to 12 reference assets including images, video, and audio anchors. For a brand video team that needs the spokesperson, location, and lighting continuity but wants more reference flexibility than Sora or Kling allow, Seedance is the multi-shot pick. Six aspect ratios including 21:9 cinematic on the Pro tier mean the same multi-cut sequence can ship in widescreen for the website and 9:16 for vertical placements.