OpenAI
Sora 2 Pro Storyboard is the OpenAI variant built specifically for multi-shot sequences in a single generation. You define per-scene prompts, timing, and transitions, and Sora returns a complete multi-cut sequence with character continuity, location consistency, and camera-work that reads as one coherent piece. For a brand video team building a wide → medium → close-up → reverse run where the spokesperson has to be the same person every cut, Storyboard mode skips the multi-render assembly step.
Multi-shot character continuity hinges on a strong identity anchor. Before opening Sora 2 Pro Storyboard, build a Nano Banana 2 character sheet (front + three-quarter + profile) and pin it to the canvas. Every Storyboard scene block references this anchor so the spokesperson reads as the same person across the wide, medium, and close-up cuts.
Storyboard mode lets you define per-scene prompts and durations. Plan a 30-45s sequence as 5-8 scene blocks: each block has a prompt and a timing window (e.g. 4s wide, 5s medium, 3s close-up, 4s reverse, 5s tag). On the canvas, build the structure as a comment node so the team can review timing before launching the render.
Storyboard reads each scene independently but holds style continuity better when each prompt repeats the shared visual language: time of day, location, lighting key. "Wide shot, soft golden hour key light, autumn forest" → "Medium close-up, soft golden hour key light, autumn forest" → "Reverse angle, soft golden hour key light, autumn forest." Repetition is the consistency lever.
Storyboard supports transitions between scenes — cut, dissolve, push-through, match cut. Specify per-transition: "between scenes 2 and 3: hard cut on action; between scenes 4 and 5: slow dissolve, audio carries over." This gets the model to time the cuts musically rather than choppy. For brand spots, hard cuts on action read as professionally edited.
Storyboard generates the entire multi-shot sequence in one pass — a longer render (typically 4-7 minutes for a 30s sequence at 1080p) but tighter continuity than rendering each shot separately and stitching. The output drops onto the canvas as a single video node with markers at each scene boundary, ready for the sequence builder.
Drop the Storyboard output into the sequence builder, layer dialogue and music tracks (ElevenLabs Eleven v3 + Minimax Music), and export as a native sequence to Premiere, DaVinci, or Final Cut. The scene markers come through, so the editor can fine-tune individual cut points without re-rendering. For 4K delivery, chain video-upscale only on the hero scene block, not the whole timeline.
Four-scene blocking for a brand spokesperson piece. Notice the repeated "soft golden hour key light" anchors continuity.
Scene 1 (wide, 5s): Spokesperson stands at the entrance of an autumn forest, soft golden hour key light, slow forward dolly. Scene 2 (medium, 4s): same spokesperson walks toward camera, same lighting, hand brushes leaves. Scene 3 (close-up, 3s): face in soft profile, leaves drifting past, same lighting. Scene 4 (reverse, 4s): over-shoulder shot looking down the forest path, same lighting.
Four-scene narrative beat for a brand story. Hard cuts on action read as professionally edited.
Scene 1 (8s): wide shot of a coffee shop interior at morning. Scene 2 (4s): medium shot of the protagonist ordering, soft warm light. Scene 3 (3s): close-up of hands receiving the cup, same warm light. Scene 4 (5s): reverse angle exiting the shop, golden street light through windows. Transitions: hard cut on action between all scenes.
Three-scene dialogue exchange. Storyboard handles dialogue continuity well when scenes share location + lighting + wardrobe.
Scene 1 (5s): medium shot, character speaks line one. Scene 2 (4s): reverse, listener reacts. Scene 3 (5s): two-shot, dialogue continues. Same kitchen location, soft daylight from window, consistent wardrobe across all scenes. Transition between 1 and 2: hard cut. Between 2 and 3: slow dissolve.
Always pin a Nano Banana 2 character sheet to anchor the spokesperson — Storyboard's continuity is best with a strong reference.
Repeat the shared visual language (time of day, location, lighting key) in every scene prompt; that repetition is the continuity lever.
Specify transitions per cut (hard cut, dissolve, match cut) — defaults can read choppy.
A 30-45s sequence at 1080p takes 4-7 minutes to render — plan for one big render, not many small ones.
For 4K final delivery, only upscale the hero scene block, not the entire timeline.
Sora 2 Pro Storyboard delivers a complete multi-shot sequence in one pass, with scene markers preserved on the canvas timeline. Output is 1080p with clarity control. Render times scale with sequence length — expect 4-7 minutes for 30-45s. The single-pass workflow holds character and location continuity tighter than rendering each shot in a separate Sora 2 base node and stitching afterward. Use the sequence builder to fine-tune cut points without re-rendering.
Connect Sora 2 Pro Storyboard with other AI models on Martini's infinite canvas. No GPU required — start free.
Get Started FreeKling
Kling 3.0 native multi-shot sequencing renders up to 15 seconds containing several distinct cuts while preserving spatial continuity between camera angles — and at native 4K with 16-bit HDR. For a brand video team that needs the spokesperson location, lighting, and identity to hold across a wide-medium-close-up run, Kling renders the whole sequence in one detailed pass. Pair that with Omni Native Audio (lip-sync dialogue + ambience in the same generation, English/Chinese/Japanese/Korean/Spanish), and the multi-shot block ships with its own soundtrack baked in.
View guideByteDance
Seedance 2.0 native multi-shot composition packages 4-15 second multi-cut sequences in a single audio-video joint generation pass — accepting up to 12 reference assets including images, video, and audio anchors. For a brand video team that needs the spokesperson, location, and lighting continuity but wants more reference flexibility than Sora or Kling allow, Seedance is the multi-shot pick. Six aspect ratios including 21:9 cinematic on the Pro tier mean the same multi-cut sequence can ship in widescreen for the website and 9:16 for vertical placements.
View guide